Linsoul TANGZU Wan’er S.G HiFi 10mm Dynamic Driver PET Diaphragm in-Ear Earphone with Ergonomic Shape, Detachable 2Pin OFC Braided Cable for Audiophile Musician DJ Stage (White, TANGZU Wan’er S.G)

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Gs are exceptionally tuned IEMs with satisfying bass, lovely mids and vocals, both male and female and decent treble. The upper mids are also pleasant, being slightly forward without becoming overly pronounced or overwhelming. This hobby used to be one where if your iem could even reproduce frequencies from 50hz below and 15khz up you were privileged. Yes, there may be other tunings that you prefer personally, we are all different, but if you are someone looking for a balanced set of IEMs with a great performance in the extreme budget section, these are something that should be one of your first considerations. Planars, multi BAs, hybrids and other driver types were left out, due to the different transducers having their own pros and cons.

Instruments for the most part, sounding smooth and well defined - lacking only some clinical precision and depth as would be heard from higher end IEMs. The treble is hence fatigue-free and smooth, with minimal sibilance, though resolution and micro-details might be dampened due to this tuning choice.WeiBird​The Wan'er offers an overall pleasant replay with WeiBird's vocals delivering an emotional impact. It is thin and tangles easily, with some microphonics (and no chin cinch), but I've seen pricier IEMs still retailing with non-detachable cables in this day and age. Thus, it is a nice touch that for such a cheap IEM, the Wan'er comes with a detachable cable with a 2 pin connector. The CHU is tuned to Moondrop's virtual diffuse sound field (VDSF) tuning philosophy (which is their in-house variant of the Harman curve). The choice of plastic allows for the dynamic driver to be visible, adding an element of intrigue and interest to the design.

The Tangzu wan'er SG IEM is a great option if you want an immersive audio experience without spending a fortune. Isolation is also pretty good on the Wan’er, being above average in most of the frequency ranges except for the bass. Then again it might also be contributed to the higher amount of bass on Wan’er is balancing out the treble more evenly. G proved to be a competent unit - again not exactly an analytical set, with the retrieval of Micro details seemingly slightly subdued.

On tracks were the vocals are actually the center of attention, such as in acapella tracks like “ Hallelujah” or even “ Billie Jean” by The Civil Wars (which does have instruments but vocals remain the focus), the Wan’er do a good job and vocals don’t seem out of place or to be missing anything. People criticized Zeros for not having enough bass, but those guys knew what they did by not wanting to risk overall sound quality. If we praise Tanchjim Tanya, the Waner offer superior technical performance with less excited balance, its both cleaner and smoother too. Additionally, the faceplate design is both attractive and artistic, contributing to the overall appeal of Wan'er. Previous names have included Shimin Li, Wu Zetian, and Li Yuan, and now the latest addition to the lineup is the Wan'er IEM, which is named after the renowned Tang Dynasty poet and princess, 上官婉兒, Shàngguān Wǎn'ér.