Defiance Part 1

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But close to the end, Hunter delivers a statement of purpose in “This Is What I’m Here For.” Even though he says, “I ain’t nothing special, an average kid,” he says “all I wanted a song I could sing, a little music and a band that could swing, these are a few of my favorite things.” Taking on the age question, he adds “when I was 30, I was over the hill/but 50 years later I still kill ‘em all, I ain’t through… I never listen to the prophets of doom/too busy turning up the volume/from the womb to the tomb… this is what I’m here for/so I might as well enjoy it.” And from all the signs, Defiance, Pt. 1, finds Hunter and his all-star collaborators having he time of their lives. Pt. 2 is promised to follow, which will similarly feature a crew of world-class special guests, says Hunter, but likely “heavier and more political.” Wargasm's Venom: a fun as hell, genre-splicing, relentlessly entertaining ride, and one of 2023's essential debut albums I’ve always had him down as a kind of British Bob Dylan, and “Bed Of Roses” (Ringo Starr and Mike Campbell on this one) underlines it with its glorious rambling poetry. To Hunter’s delight, the project began escalating, with a galaxy of stars clamoring to be involved. With time on their hands due the pandemic, his fellow musicians took the demos and stems that Hunter and York put together in his basement and added unforeseen power and creativity through their own trademark talents. The first four Mott The Hoople albums have been reissued on 180g vinyl. Mott The Hoople (1969), Mad Shadows (1970), Wildlife (1971) and Brain Capers (1971) were issued by Universal (except in the USA) on 13th September 2019. They are cut from the Andy Pearce masters that were used for the Mental Train box set and the artwork faithfullys reproduce the original LP sleeves, right down to the 'zorro' mask included with Brain Capers. Although the word "audiophile" is not used, 180g vinyl tends to be used for such releases so sound quality should be very good indeed.

Ian Hunter: Defiance Part 1 album review | Louder

He hit the strings on his guitar, laid it on the floor, had the amp cranked and left his studio – and left it on for days. That was his torture test”: Eddie Van Halen’s rig builder Dave Friedman discusses the guitar legend’s gear testing regime My new album Defiance Part 1 is finally here. There are a lot of reasons I chose to call this album Defiance. It’s as if people my age shouldn’t be making records, blah, blah, blah. But we’ve still got a bit left. I hope you enjoy listening to it as much as we did making it. It was a fluke,” Ian Hunter says. “ This was not planned. Really, I’m serious. I really couldn’t believe some of them. I mean, it’s amazing what’s happened. It’s been such a buzz.”It is on the Sun label in North America and UK. Initial reports it would be on a different label in the UK now seem to be wide of the mark. Show the kids out there how it's done”: Watch Keith Richards play Rolling Stones classics on a 5-string guitar with Jimmy Fallon The ultimate feat”: Pedal Pawn has reverse engineered one of Stevie Ray Vaughan’s Tube Screamer pedals to produce the “juiciest mid-hump overdrive tone ever” Getting older is a double-edged sword; for all the wisdom attained through the years, the body continues its inevitable deterioration. That may not hamper some artists, but working musicians typically have a tougher time keeping their chops limber as the years roll by. There’s something a little E St Band-ish about “Guernica” and Joe Elliott’s harmonies are superb, while “I Hate Hate” is an example of the anger that burns. Its also what this album would have been if it had been conventional as it’s just Hunter and The Rant Band (it would have still been brilliant – and there’s another version too with Jeff Tweedy on).

IAN HUNTER ASSEMBLES HISTORIC LINEUP FOR DEFIANCE PART 1 IAN HUNTER ASSEMBLES HISTORIC LINEUP FOR DEFIANCE PART 1

It’s ostentatious and even maddening at times, but there’s no faulting the ambition”: XTC’s The Big Express Having spent the better part of two years on the project, Hunter isn’t done yet. As its title promises, the album will be followed by the arrival of Defiance Part 2. The second chapter will feature an equally stunning range of special guests while projecting an entirely different thematic approach and songwriting aesthetic. Goods that are faulty or sent in error must be returned to Crash Records Limited, 35 The Headrow, Leeds, LS1 6PU within 7 working days of the item being received by the customer.Cameron Duddy on Directing Britney Spears and Iggy Azalea’s “Pretty Girls” Video: “They Were Both Dedicated” Having spent the better part of two years on the project, Hunter isn’t done yet. As its title promises, DEFIANCE PART 1 will be followed closely by the arrival of DEFIANCE PART 2. The second chapter will feature an equally stunning range of special guests while projecting an entirely different thematic approach and songwriting aesthetic. It was a fluke,” Hunter, says in the album’s Jan. 20 announcement. “This was not planned. Really, I’m serious. I really couldn’t believe some of them. I mean, it’s amazing what’s happened. It’s been such a buzz.” It was a fluke,” Hunter says. “This was not planned. I can’t believe half the people even knew who I was. Really, I’m serious. I really couldn’t believe some of them. I mean, it’s amazing what’s happened. It’s been such a buzz.” Yes, that’s a real spider”: Sophie Lloyd’s Enter Sandman (Shred Version) adds extra fretboard flair to Metallica’s thrash classic – alongside some snakes and a tarantula named Rosie

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The Feelies: Some Kinda Love: Performing The Music Of The Velvet Underground [Album Review] - October 25, 2023 There are a lot of reasons for calling this album DEFIANCE,” says Ian Hunter. “ It’s like, people my age shouldn’t be making records, blah, blah, blah. But we’ve still got a bit left.”

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Fellow octogenarian Ringo Starr (82) keeps the beat on the following “Bed of Roses” which pounds out with the force of the best Mott grinders as guitarist Mike Campbell provides gutsy six-string support. In the thumping “I Hate Hate” ( it’s spreading like an epidemic), his gruff voice adds to the song’s irritation about negativity in society. One of the lines in that last song sum it up: “when I was 30 I was over the hill,” he spits, before adding, “50 years later I still kill em all”. The Mott the Hoople frontman’s new solo album, Defiance Part 1, has some seriously heavyweight guest talent This guitar is, to me, the perfect guitar. The only thing I could do is create a song that shows all of its glory”: John 5 has written an instrumental masterpiece that’s literally dedicated to his new Fender signature model Having spent the better part of two years on the project, Hunter isn’t done yet. As its title promises, DEFIANCE PART 1 will be followed by the arrival of DEFIANCE PART 2. The second chapter will feature an equally stunning range of special guests while projecting an entirely different thematic approach and songwriting aesthetic.

Ian Hunter: Defiance, Pt. 1 [Album Review] - The Fire Note Ian Hunter: Defiance, Pt. 1 [Album Review] - The Fire Note

Never mind the guests, “Defiance Part 1” is one of the album’s of the year because its an Ian Hunter record and he’s a genius. There are a lot of reasons for calling this album Defiance,” says Hunter. “It’s like, people my age shouldn’t be making records, blah, blah, blah. But we’ve still got a bit left.” That’s typical of what the record does, in that it doesn’t sound like anything else here, yet Hunter is the golden thread. And that extends to the guests. Todd Rundgren is on the soul filled “Don’t Tread On Me” – a simple plea for respect – and you imagine for the stars this was a fun way to get out of comfort zones. The first part is a pretty fun record,” he says. “Not stupid or daft, just a very up record. The second one I would say is probably heavier and more political.” Use italics (lyric) and bold (lyric) to distinguish between different vocalists in the same song partMott's three CBS-era albums, All The Young Dudes, Mott and The Hoople have been released in SACD format. These will play on a normal CD player, but also on SACD players which will give listeners audiophile sound quality. More significantly, however, is the fact that The Hoople is available in quadrophonic sound (again, for listeners with suitable audio gear). This is the first time it has been available in this format in the digital age. Exclusive editions of key new releases as well as selectively chosen classics and archival releases