Haircut 100: Pelican West - 40

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Kingsize (You're My Little Steam Whistle) 12. Favourite Shirts (Boy Meets Girl) (Long) 13. Calling Captain Autumn Top Selling Albums of 1982 — The Official New Zealand Music Chart". Recorded Music New Zealand . Retrieved 1 February 2022. includes memorabilia and exclusive photographs from the personal collection of Haircut guitarist Graham Overall this collection is an absolutely essential treat for the fans and I think something anyone with a love of popular music who only knows the hits would thoroughly enjoy. In a world full of dark and gloom allow some musical light and brightness in. You will definitely feel better for it. They really don’t make them like this anymore but we can hope that this collection and the one-off gig could convince the band to finish that 2nd album properly. Let’s face it the world needs some Haircut 100 now more than ever. Pelican West is the debut studio album by the British new wave band Haircut One Hundred, released on 26 February 1982 by Arista Records. It peaked at No. 2 on the UK Albums Chart [8] and No. 31 on the Billboard 200, [9] and was certified platinum by the British Phonographic Industry (BPI). [10]

Hepworth, David (4–17 March 1982). "Haircut One Hundred: Pelican West". Smash Hits. Vol.4, no.5. p.29. I can't believe that after following your (remarkable) blog so much, my first comment is on Haircut 100, of all things! Anyway, I thought you might be interested in seeing this link, too: http://www.stevefrench.co.uk/biogbands.asp - Steve French, who was in a band with Phil Smith and Marc Fox, in his uni days.Overall, really well put together. A band like H100 don’t need a big boxset like, say, King Crimson. This is compact, and does what it sets out to do. It reminds me of my favourite of this year’s 80s reissues - Fun Boy Three. Their complete collection set is on similar lines to this. Christgau, Robert (1 June 1982). "Christgau's Consumer Guide". The Village Voice . Retrieved 14 December 2020. Haircut 100 utilized horns like nothing I've heard in pop music before or since, and they gave the world this unique and brassy record before their star set forever into obscurity. Boys Wonder had a few line-up changes in their lifetime. Prior to any recordings, Les Nemes from Haircut 100 was the bass player, but was replaced by Chris Tate."( http://www.boyswonder.co.uk/links.html ) Wow..!! This is Beautiful hair Cut Design.. Awesome Thanks for sharing.. 6:45 AM Netsuite Partners said...

Wow! Thanks for making me conscious about this latest expertise. It is overwhelming. 10:23 PM Add Linkz Free said... I Believe In Sundays / Maytime Moments (Instrumental) / Cheek to Cheek (Instrumental) / Hayley’s Heart (Guide Vocal) / A Blue Hat for a Blue Day (Instrumental) / Coming Home (Instrumental) / Brookfield Girl / Sunny Boy, Sunny Girl / Club Boy at Sea / Steam Bus Junction (Instrumental) / Whistle Down the Wind

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The next single was an even bigger chart hit. “Love Plus One” I’ve always felt was a little bit spoilt by the cheesy saxophone; it tries that bit too hard. It’s odd seeing how Bob Sargeant who produced the LP handled the use of Saxa in the Beat’s recorded output so well, but I suppose could only work with what was there and they did redeem themselves on this front with the nice brassy trills on the next single “Fantastic Day”. The NME was apoplectic in their review of “Love Plus One” I seem to recall, as it didn’t feature any sort of funky motif or toe the New Funk party line of scene trendies Funkapolitan or Blue Rondo, but to me it is still a pleasing (if over-played during the years since) pop record. Other [Hippopotomy] - Dave Kemp ( http://www.artistdirect.com/nad/music/artist/credits/0,,452462,00.html )