Peter Doig: Contemporary Artists (Phaidon Contemporary Artists Series)

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ca. 132 S. Guter Zustand Sprache: Deutsch Gewicht in Gramm: 400 Standardeinband. broschiert/ Taschenbuch. Gerard Hemsworth (curator) / Peter Blake / Victor Burgin / Anthony Caro / Nigel Cooke / Tony Cragg / Michael Craig-Martin / Peter Doig / Richard Hamilton / Siobhán Hapaska / Damien Hirst / Gary Hume / Bruce Mclean / Brendan Neiland / Julian Opie / Eduardo Paolozzi / Simon Patterson / Gavin Turk / Gillian Wearing / Catherine Yass / Jake & Dinos Chapman

Peter Doig, Courtauld Gallery review — modern master holds Peter Doig, Courtauld Gallery review — modern master holds

lingered over this one at a bookstore. i involuntarily said 'wow' outloud. rilly beautiful book. (and prettier IMHO than the nesbitt edited tate book, which i also peeked at.) Peter Doig went from being an artist whose peers were too embarrassed to show alongside him, to possibly the most internationally loved painter of our time. He is a leading figure in contemporary art's 'return to painting' and is particularly responsible for re-inserting magic, narrative, and lyricism into painting today. We are excited to unveil this new exhibition of works by Peter Doig, the first since his return to London. The Courtauld’s great Impressionist collection is a touchstone for many artists. It offers the perfect context to experience how Doig’s work resonates strongly with the art of the past whilst charting new directions. We are grateful to Morgan Stanley, Kenneth C. Griffin, the Huo Family Foundation and the Art Mentor Foundation Lucerne for the generous support that has made this important exhibition possible.’ This piece was begun during Doig's final year at Chelsea School of Art and would come to represent the beginning of the snow scene motif that would dominate much of his art. Preview our Fall 2023 catalog, featuring more than 500 new books on art, photography, design, architecture, film, music and visual culture.The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars. Andrew L. Shea. "Peter Doig at Michael Werner Gallery." newcriterion.com. October 17, 2017, ill. (color). You may also opt to downgrade to Standard Digital, a robust journalistic offering that fulfils many user’s needs. Compare Standard and Premium Digital here. Published to accompany Doig’s major European traveling retrospective originating at Tate Britain, this extremely satisfying and lavishly illustrated book provides a comprehensive account of the artist’s practice over two decades of extraordinary achievement. It is the most thorough overview of his work to date. With an essay by art historian Richard Shiff, an introduction by Tate curator Judith Nesbitt and an illuminating conversation between Doig and his friend, the artist Chris Ofili, this is an enlightening survey of one of the most influential painters at work today. The Courtauld is delighted to share a new film that offers a rare glimpse into the studio of Peter Doig, one of the most celebrated and influential painters working today. It follows Doig in the days leading up to the opening of his exhibition of new work at The Courtauld Gallery.

Peter Doig - The Courtauld Peter Doig - The Courtauld

Sponsored by Morgan Stanley and supported by Kenneth C. Griffin and the Huo Family Foundation, with additional support from the Art Mentor Foundation Lucerne, The Morgan Stanley Exhibition: Peter Doig is the first exhibition by a contemporary artist to take place at The Courtauld since it reopened in November 2021 following its acclaimed redevelopment. For his exhibition at Fondazione Bevilacqua La Masa, installed in the historic rooms of the Palazzetto Tito, the celebrated Turner Prize nominated artist presents large paintings and several intimately scaled works, all of them new and being shown for the first time. Softcover. Condition: New. 54 S., zahlr. Abb., kart., OU., 24 x 18 cm. Eins von 800 Exemplaren (nn.). Mit einem Text von Manfred Hermes (dt., engl.).The high prices have brought new problems. Doig paintings are so costly to insure that museums have to think twice about showing them. He’s had major exhibitions at the Tate, the Musée d’Art Moderne de la Ville de Paris, the National Gallery of Scotland, the Louisiana Museum, in Denmark, and the Montreal Museum of Fine Arts, but nothing so far at MOMA, the Met, or other big museums in this country.

Peter Doig Paintings, Bio, Ideas | TheArtStory Peter Doig Paintings, Bio, Ideas | TheArtStory

Born in Edinburgh in 1959, Peter Doig was raised in Canada and spent two decades in London before moving to Trinidad, where he now lives and works. Doig graduated from St. Martins School of Art in 1983 and the Chelsea School of Art in 1990. He was nominated for the Turner Prize in 1994, and was included in the 2006 Whitney Biennial. In the middle of this surreal landscape a police car stands as an officer approaches the starlit lake in the foreground, his reflection visible beneath. He is peering out towards the viewer with his hands aloft as if he is shielding his eyes to see into the darkness. His mouth is open as if he is calling out. Eerie forests absorb the light, and horizontal bands of color in the middle of the piece are muddy and dark, while the greens of the trees behind are ghostly. He lived in King's Cross, which he described at the time as "a mad, rough place, full of oddballs and artists". Doig felt comfortable in the local scene and started hanging around with musicians and fashion designers. At college, he said, he "found his voice", despite being intimidated by his peers and the "general air of cool that hung over the place". He began his artistic career painting urban scenes, which he said were "less about making paintings and more about making images". Ben Street in The Shape of Time. Ed. Sabine Haag and Jasper Sharp. Exh. cat., Kunsthistorisches Museum, Vienna. Cologne, 2018, p. 132, ill. pp. 131 (color) and 133 (color, installation photo). Forgotten the title or the author of a book? Our BookSleuth is specially designed for you. Visit BookSleuthIn the film, Doig reflects on his move to this studio and on this particularly creative period during which he has made a major new group of paintings. Doig offers insight into his work, which explores a rich variety of places, people, memories and ways of painting.

Peter Doig | Two Trees | The Metropolitan Museum of Art Peter Doig | Two Trees | The Metropolitan Museum of Art

In this lavish new volume devoted to his entire career-which includes paintings, drawings, and reference material, such as found photographs-art historians Richard Shiff and Catherine Lampert mine the artist’s rich and varied work. Doig’s landscapes have been inspired by the many places the artist has lived-England, Canada, Trinidad. So, too, does memory, or the idea of memory, inform much of his production. The exhibition is sponsored by Morgan Stanley. Supported by Kenneth C. Griffin and the Huo Family Foundation, with additional support from the Art Mentor Foundation Lucerne. Hitch Hiker” also gave him the idea of using his Canadian experience in his work. “I suddenly had a subject that I hadn’t had before,” he said. Canada had always seemed familiar and mundane to him, but now, in London, it became exciting. During his time at Chelsea, and for the next few years, Doig painted what he called “homely” suburban houses, frozen ponds, ski areas, and open fields. The houses in these early paintings look uninhabited and desolate, and you see them through a screen of trees or underbrush, or blurred by falling snow. (He went on to paint architect-designed houses—including Le Corbusier’s Unité d’Habitation in Briey-en-Forêt, France, half hidden behind a screen of trees.) He was painting spaces that you had to make an effort to look into.Sheena Wagstaff in Gifts of Art: The Met's 150th Anniversary. Ed. Jennifer Bantz et al. New York, 2020, pp. 170, 198, ill. (color). Calvin Tomkins. "The Mythical Stories in Peter Doig's Paintings." newyorker.com. December 11, 2017. Cher Peintre - Lieber Maler - Dear Painter. Peintures figuratives depuis l'ultime Picabia : Luc Tuymans, Alex Katz, Martin Kippenberger, Kai Althoff, Carole Benzaken, Glenn Brown, Bernard Buffet, Brian Calvin, John Currin, Peter Doig, Sophie von Hellermann, Kurt Kauper, Enoc Perez, Bruno Perramant, Elizabeth Peyton, Francis Picabia, Sigmar Polke, Neo Rauch. For cost savings, you can change your plan at any time online in the “Settings & Account” section. If you’d like to retain your premium access and save 20%, you can opt to pay annually at the end of the trial. art - Das Kunstmagazin 4/2002: Gruppe: Die Schlumper. Erasmus Schröter, F.C. Gundlach Fotografie. Cimabue. Peter Doig. Foto- Triennale Hamburg. Duchamp-Schau. Österreichische Kulturforum New York. Nuk- Figuren Afrika. Gläserne Manufaktur Dresden.