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Pastoral Song: A Farmer's Journey

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Remarkable … A brilliant, beautiful book … Eloquent, persuasive and electric with the urgency that comes out of love.” — Sunday Times (London) This elegy that captures the soul of British farming – its families and their land from which they are indivisible…Rebanks's observations are rich with detail. He writes with a simplicity that hides his scholarship (how many Cumbrian farmers can quote from Virgil's Georgics?) and some passages are right up there with Laurie Lee's Cider with Rosie…This is a wonderful book. James Rebanks writes with his heart and his heart is in the right place. We should listen to him." - Telegraph (UK) I have been thrilled by English Pastoral, an account of farming by James Rebanks. A real working farmer, whose own reading runs from Virgil to Schumpeter, he lays out in great detail just what has gone wrong, and what can be done to put it right.” — Andrew Marr, Spectator Rebanks's connection to the land is palpable in the stories he tells of his grandfather and parents. As a young boy, Rebanks describes himself as work shy and easily captivated by the TV, "in danger of becoming a disappointment," that is, until his grandfather takes him under his wing. His father, a somewhat surly man, doesn't have the temperament or patience to engage the youngster. Rebanks only begins to understand the tensions of the economic realities of the farm as he grows into adulthood and realizes the weight of responsibility that rested upon his father's shoulders. He then shatters this English idyll, recounting his and his father's push to modernise their farm and 'improve' their land in ways encouraged by greedy governments and supermarkets. Fertilizers were spread, fields enlarged, hedgerows and coppices cleared. The soil health decimated.

Pastoral Song by James Rebanks — Open Letters Review Pastoral Song by James Rebanks — Open Letters Review

The constant wanting of store-bought things he (James Rebanks’ grandfather) held in disdain. He thought these people (he and his fellow local farmers) had understood something about freedom that everyone else had missed, that if you didn’t need things–shop-bought possessions–then you were free from the need to earn the money to pay for them. This is Nonfiction/Environment/Nature. As this one started, I wasn't feeling it. I needed to read it for a reading challenge so I plowed ahead. I eventually fell into its rhythm and I was so glad I stayed with it. This wasn't quite 5 stars, but I rounded up for the overall message. Everyone should read this, whether you grow food or eat food....this is for you. This is a timely message. James Rebanks is a historian and farmer. English Pastoral is a memoir that presents a view of English farming beginning during his grandfather's farming days and ending in 2020 at the book's publication. Remarkable…A brilliant, beautiful book…Eloquent, persuasive and electric with the urgency that comes out of love." - Sunday Times (UK) One quote that resonated with me, because I am so tired of seeing commercials on TV with happy people buying, buying, buying bright and shiny objects that they don’t need but they feel that they need, and the people who make the commercials are telling me I too need the bright and shiny objects to be happy…grrrrr.

Pastoral Song

This is a book about what it means to have love and pride in a place, and how, against all the odds, it may still be possible to build a new pastoral: not a utopia, but somewhere decent for us all.

Pastoral Song: A Farmer’s Journey - Country Guide Pastoral Song: A Farmer’s Journey - Country Guide

This was a great follow-up to other books I’ve been reading recently about environmentalism and long-term thinking, such as Losing Eden (which, similarly, took inspiration from Silent Spring) and The Good Ancestor, and should attract readers of Wilding by Isabella Tree. I hope it will go far in next year’s Wainwright Prize race. This elegy that captures the soul of British farming – its families and their land from which they are indivisible … Rebanks’s observations are rich with detail. He writes with a simplicity that hides his scholarship (how many Cumbrian farmers can quote from Virgil’s Georgics?) and some passages are right up there with Laurie Lee’s Cider with Rosie… This is a wonderful book. James Rebanks writes with his heart and his heart is in the right place. We should listen to him.”— Telegraph But it is also those very “champions of progress” that have enabled society to develop and live healthier, longer lives. Despite this chilling essential truth, this beautifully written and searingly honest book is full of vignettes from a Fells farm, both past and present. It doesn't ever sketch over the problems with any kind of farming; ultimately the biodiversity of the land is better without any humans on it! But we are also part of nature, even if we have forgotten. Good farmers husband the land and act as caretakers. Good consumers do not seek to be so disconnected with the process of food production, with where what they eat comes from. There is a way to produce the food we need without killing our future. When we plough to the edge of the meadows, when we remove hedges, when we sow crops several times a year and make silage instead of hay, we impact nesting birds, insects, mammals, myriad plant life. We kill off the very creatures who renew the soil that will feed us again. It's time to realise that we cannot eat our profit margins. We should pay fair prices for meat and dairy and respect the animals that gave them to us. We should focus less of fast, cheap, processed food and instead (wherever possible) pay a bit more and eat a bit less, respecting the labour that went into growing crops. And we absolutely should be lobbying our government unceasingly to do something about this before it's too late. Our best hope is to return to a more mixed and rotational style of farming. Thank the gods of agriculture for James Rebanks. … A lyrical narrative of experience, tracing 40 years and three generations of farming on his family’s land as it is buffeted by the incredible shifts in scale, market, methods and trade rules that have changed farming all over the world. … We experience that esoteric life through Rebanks’s evocative storytelling, learning with him to appreciate not only the sheep and crops he’s learning to tend, but the wild plants and animals that live among and around them.” — New York Times Book Review, Editor’s Choice

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James Rebanks’s story of his family’s farm is just about perfect. It belongs with the finest writing of its kind.”— Wendell Berry Near the end of the book, as he catalogues all the changes that must occur to combat the farming crisis, he implicates the reader by switching to the pronoun “we.” His rhetoric fails to inspire because unlike the memoir portions of Pastoral Song, he discards concrete details for abstract ideas. He writes: “We are all responsible for the new industrial-style farming. We let it happen because we thought we wanted the sort of future it promised us. Now, if we want a different kind of future, we need to make some difficult decisions to make that happen.” What decisions need to be made? How will they affect the future? Even in the climax to this section, he drifts into generalization: “Some of the solutions are small and individual, but others require big political and structural changes.”

Pastoral Song - James Rebanks - Hardcover - HarperCollins Canada Pastoral Song - James Rebanks - Hardcover - HarperCollins Canada

Through the eyes of James Rebanks as a grandson, son, and then father, we witness the tragic decline of traditional agriculture, and glimpse what we must do now to make it right again.” The demise of family farms means that there are fewer and fewer people living in rural areas and that is why communities are dying on the vine and why there are fewer houses and trees – and it is also why I feel no attachment to the place where I lived from age five to age twenty-one. Today, there are no buildings or trees or any evidence that anyone has ever lived on it; it’s just 160 acres of dirt that belongs to a corporation. James Rebank is a farmer, son and grandson of farmers. When the old style of farming - mixed and rotational - made a final shift towards industrialised farming, he had a front row seat. Some of what he recounts, I already knew. I grew up in rural Dorset, went to school with farmers' children, played on their farms and saw some of this shift for myself - although it would be many years before I really understood what I was seeing. Even after those realisations bore fruit, there was a level of nuance that I just didn't have. Like James, I am a country person. I know the plants, trees, birds, wildlife. I feel an intense connection to the land. Everything he says here lands on fertile soil with me, confirming much of what I did know and deepening my understanding in other ways. Rebanks' lifetime spent farming gives this book its credibility; his sensible tone gives it its power. And his eloquence describing his beloved farm gives it its beauty." — Minneapolis Star Tribune They used to call England a green and pleasant land, but in truth it was never entirely green, nor entirely pleasant. It was a tough old place with almost every acre used by humans, but there was much in it that was good. And yet the truth is that the countryside that feeds us has changed. It is profoundly different from even a generation ago. The old working landscapes and the wildlife that lived in them have mostly disappeared, replaced by an industrial farming system that in its scale, speed, and power is quite unlike anything that preceded it. This new farming has proved to be both productively brilliant and, we now know, ecologically disastrous. The more we learn about this change, the more unease and anger we feel about what farming has become. Our society was created by this farming, and yet we increasingly distrust it.

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Hailed as "a brilliant, beautiful book" by the Sunday Times (London), Pastoral Song (published in the United Kingdom under the title English Pastoral) is the story of an inheritance: one that affects us all. It tells of how rural landscapes around the world were brought close to collapse, and the age-old rhythms of work, weather, community and wild things were lost. And yet this elegy from the northern fells is also a song of hope: of how, guided by the past, one farmer began to salvage a tiny corner of England that was now his, doing his best to restore the life that had vanished and to leave a legacy for the future. A con, however, is our tendency towards mono-cropping which can lead to disastrous results like the Irish potato famine. The death of more than a million people and emigration of a million more, was triggered by potato blight in a society reliant on one crop. Anyway I am glad this book seems to be very well liked by so many people. I hope you can read it! 😊

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