Masini

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A bit unexpectedly and on the sly, during the spring of 2002 a new tour began: in this case, however, it wasn't a promotional tour, but simply a present for his fans and an opportunity to introduce to the public the new emergent group with which he wanted to collaborate as an artistic producer. Some personalities intervened, as Adriano Celentano and Maurizio Costanzo, who wanted him as a guest of their TV transmissions to denounce what was happening, but all these things remained useless. While this leads to a better handling of concurrency-related issues, the model itself does not exclude erratic program behaviours. Office hours are held either on site (Studio 92) or on Teams, only upon request (at least 1 day before).

Coming back from America (where he participated to Sanremo in the World), Marco began the realization of his first album, Marco Masini, for which there were just Disperato and Dal buio (written to be sung by Massimo Ranieri) done.Contentious material about living persons that is unsourced or poorly sourced must be removed immediately from the article and its talk page, especially if potentially libelous.

Marco Masini's new career therefore seemed to be started in the best way: in a music business in deep crisis, in a music environment dominated by International "use-and-trash" music, imposed to the public by the big multinational record companies and by the deejays of the most powerful radio networks, and in a music world ruled by those "young artists" that are usually replaced the following year because they are already "old", the forty-years-old Masini succeeded in the most difficult task at all: to enter back the heart of the public!When he was 11 he had the occasion to play at the feast of the patron of a little city near Florence. But the greatest change was the separation from Bigazzi, Marco's old teacher, who had marked the beginning of his musical career. In this album he was again criticized, this time because of the two songs Bella stronza (“Beautiful bastard”) and Principessa, both very direct and explicit. He had as a teacher Walter Savelli, the pianist of Claudio Baglioni and the teacher of a lot of famous artists. It was divided into two sessions, one during the spring in the theatres, one during the summer in the sqaures of a lot of Italian towns.