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Posted 20 hours ago

Cows

£5.1£10.20Clearance
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ZTS2023
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About this deal

This kind of problem has been well studied in the case of de Sade, where repetition plays a central part in the creation of the pornographic effect.

We don’t share your credit card details with third-party sellers, and we don’t sell your information to others. If you enjoy the sensation of your jaw dropping to the floor in a combination of stupefaction, hilarity, and shock, Cows is your book. I’ve heard others mention Duncan Ralston’s ‘Woom,’ hell, even Duncan has said he’s not read the book but people say it’s similar to ‘Woom,’ but I didn’t fully make that connection. However, without style , substance or anything approaching a decent writing style he has failed miserably. Listen, soon-to-be-trampled author-boy, in the first part of your opus you have your extreme-horror slaughterhouse fun with us cows, and then in the second part, you turn us into a fatuous allegory about fascism, where once again we play the mindless puppets.Stephen lives holed up in his room, watching perfect lives on TV, dreaming of what it would be like to be safe, to be happy, to be loved and to be normal. What I liked: ‘COWS’ is a story that follows our main character, Steven, who longs for acceptance in a world he’s unable to participate in.

It’s interesting how your TBR can conspire against you to bring similarly themed/content books together. This book has everything a good crime novel should: a suspenseful story with violence at its core, characters driven by lust, love and guilt, propelled with prose that's poetic and profound.When I first picked up this book, I believed it was about a bunch of cows who turn into some type of "Zombie Apocalypse" and start killing and eating human beings. She is the new tenant upstairs and Steven knows this is his only chance to have that "perfect family".

I should have known what to expect, as I have read extreme horror and bizarro before, but unlike similar works with reviews that simply state things like "Balls to the wall!Perhaps that is because I also have been a lifelong listener of some of the darker subgenres of industrial music, such as power electronics, which highlights sensory experiences otherwise abrasive and repellent and uses them in a way that somehow captures a bleak psychological concept or story, while also managing to capture the beauty behind the noise.

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