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The End of the World Running Club: The ultimate race against time post-apocalyptic thriller

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This classic, highly influential for its use of invented dialect, is set in England, some two thousand years after the end of civilization as we know it—when what society is left is uncomfortably reliant on “Punch & Pooty” shows. A layered, Joycean masterpiece that is as much about the power of story and myth as it is about the end of the world and everything after.

We often think of the apocalypse as something that happens to everybody at the same time—but what about those in remote locales that remain untouched at the beginning? In this novel, the world ends while Jon is at a Swiss hotel, far away from everyone he knows and loves. So what does he do? Get busy solving the more immediate problem: the dead body on the premises. Of course. Many apocalyptic stories focus on stories that are on the brink of the end of the world of the civilization. Post-apocalyptic fiction is set in a world or civilization after such a disaster. Also called 'Holocaust' This is a wonderfully imaginative mix of psychology, quantum mechanics and the meaning of human consciousness. It is based on the “ quantum mind” idea developed by the physicist Roger Penrose in the late 80s. The theory is not taken very seriously now by scientists, but is great sci-fi thriller fodder.

This novel includes one of the stranger epidemics in apocalypse fiction: the Forgetting, which has devastated the world by separating those afflicted from their shadows—and their memories, which causes them to behave erratically, even violently. As society breaks down, Ory and Max (one shadowless, one not) try to find answers, and each other.

The people in this book might be going to have lived a long, long time from now in Northern California,” is how this book begins, in slippery Le Guin fashion. The apocalypse in Always Coming Home happened so long that none among the Kesh remember it—not even their songs know what caused it. Mostly, what’s left is styrofoam. This is not a straight narrative, but a realistic anthropological study of a fictional people, the Kesh, compiled and annotated by a researcher named Pandora. In some ways, it is a minor work in Le Guin’s oeuvre, but a fascinating one.Everyone’s favorite metafictional zombie apocalypse novel by Mel Brooks’ son, whose framing device—Brooks as agent of the United Nations Postwar Commission and his own actual/fictional survival guide, interviewing survivors—give it a polyphonic resonance. Don’t judge it by the movie, which takes serious liberties, and is not great.

In this classic of nuclear holocaust fiction, when much of the United States is destroyed by the Soviet Union, one small Florida town survives, adapting to their new lives in a radioactive wasteland. Of course, there are plenty more great apocalypse and post-apocalypse novels that didn’t fit on this list, and I haven’t read enough books in translation in this genre, so as ever, please add on your own favorites in the comments. It doesn’t take a meteor or a nuclear missile to destroy civilization; all you need is a surprise epidemic of blindness, and men and women will destroy it themselves. Despite the compelling, experimental prose, parts of this feel like a horror novel, but unlike most of the books on this list, it ends on a note of hope, which makes it a particularly good one to read right now. The end of the world is never really the end of the world—at least not in fiction. After all, someone must survive to tell the tale. And what tales they are. Humans have been pondering the end of existence for as long as we’ve been aware of it (probably, I mean, I wasn’t there), and as a result we have a rich collection of apocalypse and post-apocalypse literature to read during our planet’s senescence. It is 1963, and a nuclear war has devastated most of the planet. In Melbourne, relatively untouched, a handful of survivors wait for the winds to bring the radiation to their shore, occupying themselves more or less usefully, if such a thing can be said to have any meaning at the end of the world, as others investigate what may be a message from a survivor in Seattle. A moving, if not particularly scientifically sound, classic.In this novel, a pastor goes to another planet to spread Christianity, leaving his wife at home; what results, among other things, is that the apocalypse in this novel is telegraphed to the protagonist at a distance, through increasingly alarming and unbelievable missives, even as he finds himself drawing further away from the life he used to know and the woman he used to love. Of course Cloud Atlas is not entirely a novel about the end of the world, and in fact of its six storylines only one could be considered post-apocalyptic (one other is squarely dystopian). But considering the novel’s insistence on the interconnectedness of time and space (and people) and the centrality of the post-apocalypse it does evoke (located at the pinnacle of the novel’s unique structure), I think it’s only fair to count it here.

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