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and the European Committee of the Regions, calls for expressions of interest for EU programmes and projects, etc. Another of the world’s most-performed living composers, Wales-born, Scotland-based Paul Mealor is likewise no stranger to writing for Royal occasions. He reached the largest audience in broadcasting history when his motet Ubi caritas was performed at the wedding of the current Prince and Princess of Wales in 2011; 2.5 billion people watched the service and the piece subsequently topped the Classical singles charts in Britain, the USA, France, Australia and New Zealand.

Davies’s lyric uses sacred imagery from the Bible. As Class explains, ‘for me, it’s all spiritual. The music itself is presenting a bridge between the angelic and the human realms. It’s about the protection of human beings, the abundance of the natural world and overcoming fears and troubles that we’re currently facing. Really, it’s about unity, love and faith. We can come together for the Coronation to celebrate.’With sustainability aside, we have also chosen to use cotton as one of our main materials as it is more soft, natural and breathable than synthetic materials such as acrylic and polyester. Does he believe in inspiration? ‘No. There’s the adage “90% perspiration, 10% inspiration.” It’s like good film composers: that’s all deadlines and you have to write for a certain date. I don’t wake up in the night with an idea. It always has a purpose. Sometimes an idea is ignited by a text. But a ceremonial piece is different, and in this case it doesn’t have words.’

We’ve been working closely with our factory from the beginning as it is a safe and positive working environment. C – Information and notices, containing preparatory acts, announcements, summaries of judgments of the Court of Justice of Decision of the Council of the European Atomic Energy Community creating the Official Journal of the European Communities The 2019/20 to 2021/22data was collected during the COVID-19 pandemic. Exceptional guidancewas issued to HE providers regarding a number of data fields within the collections to clarify HESA's expectations about how these fields should be treated in light of the pandemic.

Not only does it reduce textile waste, it reduces the carbon footprint that would have been expended in the production of new materials. Remanufactured clothing can save 13,000lbs of CO2 emissions a year. Her aims were to create a music that was singable and melodic, whose message was clear and concise. She was also well aware of the history of music for Coronations and the epic space of Westminster Abbey; ‘there weren’t a lot of restrictions really, it was just to make sure it felt appropriate to the service.’ We ensure that working conditions are met subject to developed world levels of minimum pay and we collaboratively implement improvement plans if required.

Another movement is based on the Welsh folk song ‘Tros Y Garreg’, and it is a new arrangement of this segment that will be included in the Coronation; the current Royal Harpist Alis Huws will join string players to perform it. ‘I’m an oddity in the whole programme because it’s a piece from the past,’ Jenkins tells me. ‘Catrin Finch’s mother-in-law was a harp teacher of some repute, and so I created a double harp concerto that premiered in Cardiff. It’s since been played worldwide quite often, and so Catrin and I decided to adapt the concerto for single harp and one movement. “Crossing the Stone” was all about a soldier returning home from war. It’s a very Welsh piece harmonically. It will be in a new form for 2023.’ Jenkins’s music will be one of several important moments that fly the Welsh flag in the ceremony. ‘It’s the first time anything has been done at a Coronation with a Welsh connection like this, and there will be another piece in the service with a Welsh text [see Paul Mealor – below]. The new King was a strong Prince of Wales, interested in the principality; he’s fundamentally a good man who’s fun to talk to, not stiff-upper-lip. He’s a fan of many things, including Wagner – which I am too – and of the English musical canon of Elgar and Holst.’ How important is pressure as part of his creative process? ‘It’s the same kind of pressure whatever the commission. I used to write music for lots of commercials in the 1980s – good commercials shot by film directors like Ridley Scott, Alan Parker and Hugh Hudson, with high production values and good stories – and they were all deadlines. It had to be done by Thursday or whatever. To my mind, the great composers – Bach, Mozart, Beethoven – were jobbing composers; they wrote for the church or the court, so it wasn’t a question of inspiration floating around. It’s more a question of getting down to it, as I do. I fumble around on the piano and get some ideas going, retaining those I approve of and rejecting those I don’t; then a piece comes out of it.’ The outbreak of the COVID-19 pandemic was declared by the World Health Organisation in March 2020, just over half way through the 2019/20 academic year. An insight briefhas been published that analyses the impact of the pandemic on student data and trends across years of enrolments and qualifications across various characteristics.There are two known areas in which the pandemic has had some impact:

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You can find more information on the Official Journal of the European Union (structure, series, special editions, authenticity,