Chrysalis

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Chrysalis tells of one unnamed woman’s self-transformation into an online phenomenon from the perspective of three other people: Elliot, who watches her obsessively in the gym; her mother Bella, who frets about the person her anxious child has grown into; and Susie, a former colleague and friend. A masterclass in character, Chrysalis is an unsettling and brilliant portrait - not just of a woman in transformation or of those who fall into her orbit, but also of a world defined simultaneously by our isolation and by our longing to connect. This is a sharply-wrought, surprisingly tender book about how our internal changes create external change... often in ways we didn't intend -- Jen Silverman, author of We Play Ourselves Perceptive.... [An] intriguing exercise in narrative.... Metcalfe clearly has her finger on the pulse of internet culture and its habitués * Publishers Weekly * Chrysalis might qualify as the most creative debut novel written in the past several years. The reason is simple: unlike novels like Sara Pascoe's Weirdo or Sheena Patel's I'm a Fan, Anna Metcalfe doesn't employ the usual format of having her thirty-something female protagonist tell her own story; instead, the young British author uses a trio of people in her protagonist's life to do the telling, a technique that's refreshing and very effective.

Managing the intimacy of the mother-daughter relationship and coming to terms with how it went wrong makes for compelling material * The Times * Things have changed a lot since that first day. She's kind of famous. Or at least, she has a lot of followers online. People admire her authenticity, her focus and determination. They say the way she holds her body is a kind of truth.” Walking to the gym, I felt queasy, worse than if I hadn’t eaten anything. I paced up and down the car park. I took deep breaths and my stomach growled. When I got to reception, there was a new kid on the desk. The novel is inspired by Han Kang’s The Vegetarian, which is reflected in the structure of Chrysalis; the story of the protagonist is told through the perspective of three people as they witness her metamorphosis. Like Kang, Metcalfe succeeds in creating a tone that is both detached and all-consuming as she probes into the motives of the protagonist and explores the effects of her actions on those around her throughout her journey to achieve a self-sufficient lifestyle. Here, we have the overarching paradox that underpins the novel - the desire to live a life of solitude as an influencer, benefiting from a capitalist, consumptive society, while rejecting it under the pretence of self-care. The effect of the novel’s triptych form feels like looking at the protagonist through the lens of a kaleidoscope, each segment dazzling, but ultimately fractured, leaving compelling gaps in our perception of who she is. This theme is echoed in the narrative itself. As the protagonist isolates herself in reality, she experiences a meteoric rise in fame as an influencer, curating every bit of her existence and crafting the ways she allows herself to be seen by others. Throughout the novel, through the eyes of others, we watch as the protagonist metamorphoses into someone who becomes nearly unrecognizable, leaving each narrator –– and readers –– to wonder if they ever really knew her at all.Chrysalis is the debut novel by Anna Metcalfe, and it is an unflinching, scrupulous study of one woman’s transformation into an omnipresent figure, as she transcends the physical boundaries of her life after surviving a traumatic relationship. She remains a nameless figure throughout the entire novel, rendering her a cult-like figure, and thus critiquing the status of an influencer in contemporary society as she amasses millions of ardent followers in her pursuit to reclaim her autonomy by shedding the skin of her past. Metcalfe describes through three perspectives the transformation of a woman who has been traumatized. We meet her when she joins the first narrator's gym, and she is so sure of herself that he can't help but to be transfixed. She decides to bulk rather than slim down in an effort to take up space. We later get the perspective of her mother, who describes to us her manner of being as a young child through young adulthood. Finally, we see who she is through a work friend and flatmate, who describes the change before her abusive relationship and after. Although Anna Metcalfe cites Han Kang’s The Vegetarian, a 2007 novel similar in structure and theme, as a source of inspiration, this doesn't detract one iota from Ms. Metcalfe's creativity. Chrysalis makes for a compelling and highly distinctive read. In the end, our main character decides to cut out all relationships and focuses on not just slow living but slow moving; she is able to hold a yoga pose for hours on end. Through her dedication and YouTube videos, she amasses a small cult following who follows her lead and rejects society--perhaps, in a way, the only way a woman can be truly safe in this world? Chrysalis is a portrait of a person shown from three perspectives. It is the story of an influencer, never named, who preaches to her loyal followers about the benefits of solitude, selfishness, and putting yourself first. Through the eyes of an acquaintance she meets at the gym, her mother, and her friend from work, we are drip-fed details that uncover the intriguing and thought-provoking mystery surrounding her.

Chrysalis is a savvy exploration of one woman’s desire to inspire others, and how self-presentation can tip into obsession. Although Metcalfe’s three perspectives offer a nuanced portrait of an online sensation, they are similar in tone. Her health guru rises from the ashes of an abusive relationship, but also discards those who’ve outgrown their use. Metcalfe is insightful about the world of contemporary influencers, voyeurism and the rise of narcissism, but it’s hard to warm to her aloof heroine. Chrysalis is a thrilling look at how we spin silk around ourselves by watching the world on our screens.”— The New York Times Book Review A subtle, perceptive and highly enjoyable novel which illuminates many of the challenges and absurdities of life as we live it now -- Cathy Rentzenbrink

Anna Metcalfe

Elliot, Bella and Susie need her, in surprisingly similar ways. They sound alike too, their language limpid and eerie, a queasy wellness blend of psychoanalysis and internet niceness that has them speak of transitional objects, optimisation, flow, authenticity, containment. The book as a whole made me think about how much we want to talk about ourselves, and how basic our resources are. It doesn’t have a particular thesis on online selfhood, though – it’s all in the telling, which is gripping and subtle. Small pieces of information are drip fed to the reader, each moment viewed and reviewed across the different narratives. It feels fizzy, with all these pops of observation on the move. Her artist mother Bella describes her relationship to the sometimes fearful and volatile child she sought to soothe, and her former colleague Susie bears witness to the protagonist’s toxic relationship with a man she met at work before she quits her job (and boyfriend) and embarks on her mysterious metamorphosis. But to what end? An] eerily cool debut... in its acute examination of voyeurism, image and the deceptive nature of connection, [it] feels tailor-made for the age of the internet * Daily Mail * Thank you to NetGalley and Penguin Random House for the opportunity to read an ARC and give an honest review!

She put me in touch with parts of myself that I'd forgotten. She made me feel things again. I had started to love her, which itself was miraculous. I hadn't known I was capable of that.” An unnerving, compelling and utterly contemporary debut novel about one woman's metamorphosis into an online phenomenon, from a Sunday Times Short Story Award-shortlisted writer. She is watched by Elliot as he trains in the gym. He notices her dedication to building her body and taking up space, and he is drawn to her strength. She is observed by her mother, as she grows from a taciturn, tremulous child into a determined and distant woman, who severs all familial ties. She is observed by her former colleague Susie, who offers her sanctuary and support as she leaves her partner and her job and rebuilds her life, transforms her body, and reinvents herself online. Each of these three witnesses to the woman desires closeness. Each is left with only the husk of who she was before she became someone else: a woman on a singular and solitary path with the power to inspire and to influence her followers, for good and ill. An oblique, intimate novel told in lucid, beguiling prose, Chrysalis a story about solitude and selfhood, and about the blurred line between self-care and narcissism. It is about controlling the body and the mind, about the place of the individual within society and what is means when someone choses to leave society behind. It is strikingly contemporary story about the search for answers and those we trust to give them to us. It was hard to be in the present, she said, but if her body were heavier and more in control, then her thoughts would clear and her mind would recover its power. This story is a bit of an odd one - the central plot follows an unnamed woman who becomes an online wellness cult leader and is told through the perspectives of three outsiders, which is an interesting conceit as, by nature, all three of the narrators paint incomplete and unreliable pictures of the protagonist. My main gripe is with the writing style - the protagonist being unnamed is so unnecessary and makes it annoying to read as the narrators constantly refer to "she" and "her" - it comes acros Like the best of literary fiction, in my view, this novel is mostly about interiority, is compelling and beautifully written, I will be thinking about the issues it raises long after I have closed the cover. What more can you ask of a book? Ms Metcalfe has been selected by the literary magazine, Granta, as one of its promising young, new British novelists, it was this list that first introduced me to her.WOW. I just devoured this. What a wonderful, painful, funny novel… It’s so beautiful and cruel, and summed up just perfectly by the ending – a flawless final sentence, one of the best I’ve ever read, it absolutely gave me chills’ Avni Doshi A man who sees the woman in the gym and get a front seat view into how she transforms her body. He sees her on her first day in the gym and how she transforms both in the gym and in personal setting… because they start dating. This is such an intriguing, thought-provoking read that made me think a lot about ideas surrounding independence, selfhood, and perception. It's fascinating to view this character only through the lens of others; each of the three sees something different in -- and get something different out of-- their relationships with her. For her part, the woman comes across as unfeeling and aloof, and there is something almost distasteful about her. Of course, we never learn who she really is -- just how she is perceived by others -- and I thought that was such an interesting (and successful) narrative choice by Anna Metcalfe. Elliot is the first narrator. “At the point that we meet Elliot, he is meeting her,” says Metcalfe. “So, as a reader, and for me as a writer, I got to look at her from the outside before I knew anything about her, as Elliot does.” It’s about the different forms of isolation and the effects that come from it, including loneliness, solitude and sometimes, independence.