Mellotron Micro Digital Synthesizer

Product Information

Not to mention temperature change... how much voltage is going into it... what color shirt your wearing... the alignment of Jupiter to mars... how oh and the list goes on. Part of the charm I guess, but over time as the good ersatzplanet has suggested is not a good thing to such an instrument. These Audio settings give you different EQed versions of the same sound. While these do change the character to a more vintage sound, I prefer the "MK II" setting, it is not the same as the sound you hear when playing a vintage Mellotron. It is still somewhat without this magic "fairy tale" like character. Having previously worked with the M4000D and a vintage M400, I maintain that one of the special aspects of the instruments is inspiration; there’s something about the combination of sounds that evokes realism—call it recordings of real people expressively instruments—while the mechanical limitations cause unexpected effects that give it a signature charm. The M4000D and Mini surely come as close as one can get to the vintage treasure, and in many ways add much-needed conveniences like portability, low maintenance, and instant access to up to 200 classic sounds (and live layering of any two). The Mellotron Micro is the smallest version available of the Digital Mellotron, and includes many of the features of the full-size version. One hundred 24-bit uncompressed sounds are immediately accessible, sourced from original first-generation Mellotron and Chamberlin tape libraries. The 100 sounds are the sounds on the built-in Sound Card 01 of the Micro and M4000D series of instruments. An octave selector switch provides access across the same range as the larger M4000Ds from Micro’s two-octave keyboard. The semi-weighted keys and MIDI connections also allow the Mellotron Micro to be used as a high-quality controller in your studio or on the road. Additional controls include octave selector, volume, tone, normal/half-speed play and pitch adjustment. FEATURES:

I would preferred if the keybed would be a f to f 2 octave one and not the c to c one. If you use the keyboard transpose switch, you got 5 silent keys in the lower octave and 7 in the higher octave transposer. If the keybed would have been a f to f one, there would be no silent keys and just a lower and higher keyboard mode, not three. Famous songs featuring Mellotrons include “Strawberry Fields Forever,”“Kashmir,”and “Paranoid Android.” The master output is mono, only using a single 1/4” instrument cable. At first, I was a little bummed that it didn’t offer a stereo output for some of the more complex sounds, but once I heard the Mellotron Micro through a nice set of monitors, I realized there was no need for a stereo output. these findings are far from conclusive for me, im just posting my current impressions. would love to hear more about both instruments from users - i'm certainly not someone who needs to be convinced into sexiness and inspirational effect of dedicated hardware. Fast forward to the present, and Mellotron has continued to evolve. The latest models from the brand feature modern technology, improved sound quality, and a more extensive selection of sampled instruments. These contemporary versions capture the nostalgic charm of the original while offering greater versatility to musicians and producers. With the resurgence of interest in vintage sounds, the Mellotron remains a timeless classic and a symbol of innovation in the music industry.The Mellotron is, in fact, an electronic keyboard, but unlike a traditional synthesizer, the sound is generated from the 35 individual tapes containing different sounds. This allows them to emulate completely different instruments like modern-day sampling devices. First, on some of the digital ones, the keys, feel, & size/format is perfect for people used to the real deal. That is pretty important for those who are really into Mellotron. Nothing gives the digital away more than people playing too far up or down the range, for one example. The master section includes high-quality knobs for selecting your patches on the A and B sound bank, octave selector switch, blend control between the two banks, master volume, tone, and pitch up and down adjustment. I'm assuming that you can set all of that in the preset choices and store them, but since there is no manual online, I thought I'd just bombard you with questions for now.

Build quality is excellent, indeed! I'm actually not even minding the AC connector as it's a relatively tight grip at the connector; maybe they have worked on that a little bit? The MIX knob is my go-to bit of fun on this unit so I hope it's built to last....! I am owning one of the first built Manikin Electronics Memotrons with all available soundsets. But for a few sounds on stage, I dislike carrying the big thing. And selecting sounds instantly is of cause a big plus when doing mainly improvised mid seventies Berlin School music. I am not a fan of using a MIDI keyboard to control expanders, so the new Manikin Memotron Desktop was not the right thing for me. The Mellotron M4000D Micro is the smallest version of the Mellotron M4000D. Designed with the travelling musician in mind, the Micro version is the ideal portable keyboard for a producer and musician who wants the main features and sounds from the Mellotron M4000D Digital in a compact size. The Micro is the ideal companion for the travelling producer and can easily fit into your luggage. Soundbank The Micro features 2 soundbanks; A & B, which can be simultaneously accessible and blended together to create a mix of the two different sounds. Instantly choose between 100 classic Mellotron and Chamberlin sounds that have been sourced from the original master tape libraries at 24-bit to provide a range of sounds to play. The numerous amount of sounds make the Micro a versatile keyboard for a range of genres and provides the classic, old school sounds including choir, strings, brass and more. Features the Classic Tape Masters klaus did make it known to me, that there was going to be a software fix for the tone control, as it doesn't act like a tone control at all as per original mellotron or M4000D.given the prices they ask for these glorified romplers, my complaint about both hardware solutions is,, why on earth didnt they allow us to load our own multisamples inside. edit via some sort of keygroup editor. i was thinking it be nice to multisample something else thru my revox a77, and uphold to the same 8 sec standard, assign this ti a keygroup and voila, you get your custom tape frame for mellotron.

so, ill add here that listening to both models on youtube now, the memo samples seem vibey but its very dark. like there is a lowpass filter on all sounds. it is great that its samples at the output of a mellotron, but that of course depends a lot on what kind of mellotron unit it was, and what sort of audio path conversion was used. The sale included the micro and the power supply only. Needless to say, I was surprised to find out the box is a simple brown box with some styrofoam this experience left me undecided. i do like the looks, the build, the displays and all. unfortunately never had a chance to play a memotron to compare. i dont like that its unnecessary wide with that extention right from the keyboard. when you carry stuff arround, every inch counts. at least,, that's what she said.

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Invented in the 1960s in England, it gained popularity with bands like The Beatles, King Crimson, and Genesis. Manual shows one patch per screen, as it will also tell you which library the source is being pulled from, as well as offering a meter that shows the amount of blend you have between the A and B sound bank. This mode was fun to use when creating patches on the fly, since I didn’t know what was coming up next, I was just scrolling through until I found something that caught my ear. This is the thing to focus on. If the digital samples are done well, there IS no difference from the Mellotron that was sampled at the time it was sampled. A week later, the Mellotron will sound different from tape wear and head dirt, the sampler will not. That is the main difference. The original Mellotron will sound different over time and that change will not be a positive one.Although the production of Mellotrons stopped in 1986, they were incorporated by bands in the 90s, such as Oasis and Radiohead, in their sound. How Do They Work? i played the mini and micro in a store, they sounded perfect, hifi. in other words nothing like the M400 i had a few sessions with. the latter was in need of some service but still,, the colour and vibe was very different. i thought about getting the mini for live, but i just dont get that spooky haunting vibe from it. in the studio i used software and it sounded spot on. all it needed was good emt plate emul.