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The Devil You Know

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This time he'd be buried a bit deeper and he'd wake up in a way different reality. It was a similar universe, but some events happened differently than in his first universe, some things and people looked different.

Heaven & Hell is ramping up for the April 28 release of THE DEVIL YOU KNOW with a vast array of physical and digital retail exclusive versions, listed below. The album will also be released as double vinyl LP featuring a laser etched design and exclusive poster on May 12. Best Buy will offer an exclusive version featuring a DVD with unreleased video of the band recording the album including studio performances, interviews, and other behind-the-scenes content. (See several clips from the DVD below.) Kaz, Jim (29 April 2009). "Heaven & Hell – The Devil You Know". IGN. Archived from the original on 14 April 2010 . Retrieved 26 April 2012.

Now that we have all that all cleared up, we can move on to the actual record itself. To begin, this one cannot be judged on the merit of your typical debut album. The guitar and bass work have that Sabbath ring, and Dio brings his voice and words to the mix. The Devil You Know could be held up to the standard set by Heaven & Hell, the album. But that’s where, like Mob Rules and 1992’s Dehumanizer, it doesn’t have a fighting chance. The Devil You Know reached the top 10 in its first week of release, debuted at No. 8 on the Billboard 200 chart, with 30,000 copies sold. [5] It was awarded Best Album at the 2010 Metal Hammer Golden Gods Awards. [6] Conception [ edit ] As a goof, I had a friend of mine who’s good with pixels, uh “fix” the cover art after it was announced. Here’s my “fixed” version. See if you can see what’s different. :) The songs are generally big, staid tanks of lead, built on Vinny Appice's plodding 4/4 pound and loaded with a stately majesty that recalls this lineup's classics — the atmosphere of "Heaven and Hell" (the song) and "Children of the Sea", brought into the modern day and made just a little darker and more weighty. Some are decrying the sheer metric tonnage of doom on "The Devil You Know", but I submit that HEAVEN & HELL are at their brooding best on this more ponderous, epic material. The more uptempo "Double the Pain", for instance, is one of the few less-than-stellar cuts on the record, seeming like a castoff from Iommi's late-Eighties riff tapes (though even here, the band's effortless conviction comes pretty damn close to selling it).

Dutchcharts.nl – Heaven & Hell – The Devil You Know" (in Dutch). Hung Medien. Retrieved 22 April 2018. There was a man, who would put on a white mask, cover his body in a magical glowing fluid and then he'd get himself buried alive, but only a couple of inches underground. Then, he'd wake up and get out of his grave in a slightly altered reality. He was enjoying it, so he wanted to do the same again. me at all. "Breaking Into Heaven" has some eye rolling lyrics (at least for me) but it isn't too bad If there’s one take I have about the Sabbath discography that’s extremely unpopular, it’s that The Devil You Know under the Heaven & Hell title is the single most overrated album they ever did. Note: not the worst, but the most overrated. I’m obviously a huge fan of the band, I love Ronnie James with all my heart, and doom metal is something that I can dive into from time to time (obviously). But man, I really do not see the huge appeal in this. It’s not bad, but it really is not that great, and I have to wonder how much of it was hype-based on such a massive lineup reuniting in 2009.

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Also, for those of you fortunate enough to get the Best Buy Exclusive version with the bonus DVD, I hope you enjoy it. I did not get a copy with it, but usually such bonus content is rare with Sabbath-releases. There's usually not a lot of extra frills on their stuff. So I'll take what you can get. The production sound reminds me of "Dehumanizer" more than the other two Dio-fronted Sabbath LPs ("Heaven And Hell", "Mob Rules"). Several of the songs are slow and creepy but there's also uptempo pounders like "Breaking Into Heaven" and “Eating The Cannibals”. While the presence of Dio always completely ferments anything he sings on this album feels like all three are equally present at all times. Iommi is as always a brilliant creator of riffs and Geezer Butler's menacing bass sets the tone. especially on for the crunchy “Double The Pain”. It's one of the best basslines I've heard since Queen's "Under Pressure" You seriously wouldn’t know that this was the bands first album in, hell, how many years? They really are as tight as they were in the hey-day. Each member steps up to the plate and delivers with all their balls. I think Iommi gets MVP for this album though, because the riffs here are definitely on par with his old classics. My personal favourite is Double The Pain, but they’re all fair game. Being a big Dio fan, I was glad to hear that his angelic vocal chords are still in mint condition. The drums and bass are pretty standard, but shine here and there. Geezer's time to shine on this album came on the song 'Double The Pain' where he starts the song off with a nice little bass solo and his bass is very audible throughout the song including a break in the middle of the song for another small bass solo. Geezer is on the ball on this album as he usually is. Geezer!

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