Neil Young

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Clearly proud of his “godfather of grunge” tag – Crazy Horse’s combination of looseness and intensity was a key influence on the sound – Mirror Ball saw Young collaborating with Pearl Jam. The results were solid, but never explosive or edgy enough to stop you wishing he’d chosen to work with his former tourmates Sonic Youth, who might have pushed him harder. 26. Chrome Dreams II (2007) Harvest Outtakes is a small hole 7" issued in a shrink wrapped matte picture sleeve with top opening.

Side guide

neilyoungarchives.com , hyperrust.org , thrasherswheat.org , Wikipedia , Facebook , Lastfm , X , YouTube Piano, Harmonica, Acoustic Guitar, Electric Guitar, Guitar Banjo [Banjo Guitar], Lead Vocals – Neil Young

This collaboration with Booker T and the MGs, which attracted much attention for the bellicose, post-9/11-themed Let’s Roll, is otherwise forgettable: competent, aimless mid-tempo songs; low on thrills. Relief arrives when Crazy Horse lumber gracelessly into view on Goin’ Home. 41. Peace Trail (2016) Sometimes life hurts,” wrote Young in explanation of Homegrown’s belated 2020 release, 45 years after he recorded it in the wake of his split from the actor Carrie Snodgrass. It’s certainly downcast, its tone set by the opener Separate Ways, but it is also Young at the peak of his powers, writing fragile, beautiful songs. 10. Comes a Time (1978)

Reviews

Dance Dance Dance [...] Recorded [...] at Quadraphonic, Nashville, TN, February 7, 1971 [...] Published by Broken Arrow Music (BMI) Previously unreleased version. The least appealing of Young’s albums in the Harvest vein, Prairie Wind is still one of Young’s stronger latter-day albums. The autumnal, reflective mood of He Was the King and This Old Guitar were presumably influenced by the death of his father and Young’s own brush with mortality after a brain aneurysm. 33. Silver & Gold (2000) Out On The Weekend, Journey Through The Past & Heart Of Gold published by Silver Fiddle Music (ASCAP) Only Neil Young would follow up his commercial breakthrough with a chaotic audio-verité souvenir of a disastrous tour. But Time Fades Away isn’t just a screw-you gesture, it’s utterly compelling. The songs – Last Dance’s churning, hippy-baiting din; fragile piano ballad The Bridge; and the autobiographical Don’t Be Denied – are incredible, potentiated by the ragged performances. 6. Zuma (1975)

After The Gold Rush feels like Young’s morning-after-the-60s album, but unlike the consoling tone of Simon & Garfunkel’s Bridge Over Troubled Water, it is gaunt, troubled and affecting. Amid the relationship woes, there is ecological disaster, racism and Don’t Let It Bring You Down, which, Young noted, was “guaranteed to bring you down”. 4. On the Beach (1974)Journey Through The Past [...] Recorded [...] at Quadraphonic, Nashville, TN, April 4, 1971 [...] Published by Broken Fiddle Music (ASCAP) Previously unreleased version.