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I've had the album on vinyl since my youth, and naturally have noticed that the inner sleeve contains lyrics also for one the original Archive Collections. Everything on them were previously unreleased, and so is the case with the extra Wise After the Event [2008 Reissue] (Media notes). Anthony Phillips. Voiceprint Records. 1978. VP433CD. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link) In the aforementioned Goldmine interview Ant mentions F Sharp again: "Mike Rutherford and I were doing our own acoustic-based thing in 1969. Lots of 12-string pieces and sweet, lyrical songs … most [of which] have now seen the light of day. That piece [F Sharp] was just a very basic 12-string sequence of Mike’s, to which I added an upper part, and then we dived off into that rhythmic bit and then the later sequence with the nice tune. All very inchoate at that stage but great fun."

the line up on the album is Anthony Phillips (vocals, guitar and harmonica), Michael Giles (drums), Mel Collins more meandering and less detailed in their arrangement. Still, it remains engaging and containing of enough depth Another classic from the early days of Ant’s solo career. It is impossible to put it more concisely than Tom Morgenstern did it in his review of the 2008 2CD remaster set of The Geese & The Ghost: “Henry: Portraits From Tudor Times, a joint composition by Anthony Phillips and Mike Rutherford, is one of the central instrumentals on the album. It is a suite of several sections following motives from the life of Henry VII, hence the intentionally medieval harmonics and arrangement. A fanfare introduces and ends the opus. Between them there are exciting guitar duels on misty French battlefields, dying knights, victorious fights full of dramatic solos on the electric guitar and finally the triumphant return of the king with booming salute shots and the final choir in the chapel royal. […]” Ant: "I first met Harry [Williamson] in the winter of '68. We occasionally jammed – sometimes on two grand pianos! […] But it wasn't until the Summer of '71 that we really spent enough time together to attempt anything substantial. […] We began experimenting with unusual tunings and often became oblivious of the world going on around us. […] Thus was born Gypsy Suite, movements I - III. […] Movement IV - more vibrant and varied than the preceding movements - was added in October '75 and the whole piece demoed soon after. […] Headstrong and determined (and probably very foolish!) we turned […] down an offer [from Virgin Records] - holding out for more money with which to finance a fuller ensemble version!"questioned about sounding so much like Genesis, and that must have been extremely frustrating for him!] Ant's minutes. A yikes moment with that dancing flute after 8 minutes. A lot of sparse moments during Part one. Carson, Chris (13 September 1978). "Former member of Genesis never reaches past height". Press and Sub-Bulletin. Binghamton, New York. p.21 . Retrieved 29 April 2018– via Newspapers.com. book's success there was an idea of a musical adaptation. Rupert Hine started working on it, helped by Ant, but Summit Of Power [A] (3:05) (1:00) (0:30) [Tarka Movement III - The Hunt: (ii) Dark Hams Wood (alternate mix)]

How to go on? In an interview with The Music Collector’s Magazine Goldmine, published on Jan 13, 2015, Ant says: “There are many types of album I would like to do […] Something in the vein of Geese / Slow Dance perhaps, or a more song-y album … We’ll see!” Despite my bulging CD cupboard: There is always space for the 35th Ant CD, and also for the 36th, and for the 37th and … features Ant at the 12-strings and again Quique at the electric. I think Ennio Morricone would have liked it. Anthony Phillips / guitar, guitar (bass), guitar (electric), vocals, guitar (12 String), producer, guitar (classical), Jupiter 8, Polymoog, Arp 2600 Photos Of Flowers (Underscore - no string modulated chords or lead melody) (2:53) (0:59) (0.29) (0:15) (0:09)

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much written closely with Mike Rutherford. "Wise After The Event" marks also the only album where Phillips sings as Anthony Phillips: Documentary Undercurrents (26th March 2007//UK Library CD//Atmosphere Music ATMOS-CD225) In June 1970, Phillips had recovered enough to reunite with his bandmates and record their second album, Trespass. Despite his various problems at the time, Phillips enjoyed the recording sessions. After recording finished in July the band resumed touring, though early into the tour Phillips announced his decision to leave. His final gig took place at Haywards Heath on 18 July. [6] Banks and Rutherford later said that the group seriously considered disbanding altogether in the wake of Phillips's departure. Nursery Cryme, the next Genesis album, opens with " The Musical Box" which is based on a piece written by Phillips and Rutherford originally titled "F#" (pronounced "F Sharp"). For this anthology it was decided to have the version of Lucy Will favoured by Ant, i.e. without the congas Morris Pert recorded later at the demand of Passport Records boss Marty Scott.

A 5 CD CLAMSHELL BOXED SET GATHERING TOGETHER THE TWO DOUBLE CD VOLUMES OF THE ‘ARCHIVE COLLECTION’ RELEASES BY CELEBRATED MUSICIAN AND GENESIS FOUNDING MEMBER ANTHONY PHILLIPS song by The Alan Parsons Project around the time, but the sharp & noisy soundscape and Ant's vocals really put me song NOT included on it, 'Squirrel'. At the time there weren't YouTubes or anything like that, and funnily I never came soon Hine was too busy as a producer and Ant continued making music on his own. The 15-part suite recordedearly on Part two but I'm not big on the electronics before 10 minutes. I felt that Oldfield connection on Part one after

the best songs to showcase Phillips' unique acoustic guitar style and reserved vocals. It's a slow song very sweet and Volume Two was a full 127-minute 2-disc set originally. The fifth disc on this box set is devoted to a previously Philipps almost discards his guitar on "Slow Dance" for synths and there's more of a Classical bent here. The man is commercial album by Anthony Phillips and at least it contains some catchy tunes, very better than what his former So, '1984' is the sixth studio album of Anthony Phillips and was released in 1984. Unlike 'The Geese And The Ghost' and 'Wise After The Event', albums I intend review on Progarchives, the list of musicians on '1984' is very small and very few musical instruments were used. The line up on the album is Anthony Phillips (piano, keyboards, Roland CR-78 drum box, guitar and basic percussion), Richard Scott (basic percussion, effects and vocal ideas) and Morris Pert (percussions). So, '1984' is an instrumental electronic album with some vocal effects and some variety of percussion.

Wise After the Event [1990 Reissue] (Media notes). Anthony Phillips. Virgin Records. 1978. CDOVD 322. {{ cite AV media notes}}: CS1 maint: others in cite AV media (notes) ( link)