All Quiet on the Western Front

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Within ten minutes, the cinema resembles a madhouse. The police are powerless. The embittered crowd takes out its anger on the Jews. The first breakthrough in the West. 'Jews out!' 'Hitler is standing at the gates!' The police sympathize with us. The Jews are small and ugly. The box office outside is under siege. Windowpanes are broken. Thousands of people enjoy the spectacle. The screening is abandoned, as is the next one. We have won. The newspapers are full of our protest. But not even the Berliner Tageblatt dares to call us names. The nation is on our side. In short: victory! They hear that they are to return to the front the next day and begin a semi-serious discussion about the causes of the war and of wars in general.

Kael, Pauline (1991). 5001 Nights at the Movies. New York, N.Y.: Picador. p.18. ISBN 978-0-8050-1367-2 . Retrieved July 12, 2021.Nourmand, Tony (2013). 100 Movie Posters: The Essential Collection. London: Reel Art Press. pp.276–277. ISBN 978-0-9572610-8-2. In the film, Paul is shot while reaching for a butterfly. This scene is different from the book, and was inspired by an earlier scene showing a butterfly collection in Paul's home. The scene was shot during the editing phase, so the actors were no longer available and Milestone had to use his own hand as Paul's. All Quiet on the Western Front is a 1930 American pre-Code epic anti-war film based on the 1929 novel of the same name by German novelist Erich Maria Remarque. Directed by Lewis Milestone, it stars Lew Ayres, Louis Wolheim, John Wray, Arnold Lucy, and Ben Alexander. For those who don't have Netflix, the decision is relatively simple. Excellent video and audio alone will seduce many, and the promise of a film that has had just so damn many awards should likely leave the majority more than satisfied - if exhausted. However those with Netflix face a harder quandary, as this isn't just a standard release, it's some deluxe limited release, carrying a commensurate price point. Sure, it's got DV and DA but so did the 'free' Netflix version, and even if they're noticeably better, you'd have to not only really love the film (which, clearly, many do) but also be prepared to watch it more than once (which, even those who really appreciate it may not be up for). So choose wisely, lest this be a very pretty set left languishing on your shelf, unopened.

Chambers, John Whiteclay. "All Quiet on the Western Front (1930): the antiwar film and the image of the First World War". Historical journal of film, radio and television 14.4 (1994): 377-411.

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A great number of German Army veterans were living in Los Angeles at the time of filming and were recruited as bit players and technical advisers. Around 2,000 extras were utilized during production. [9] Among them was future director Fred Zinnemann ( High Noon, From Here to Eternity, A Man for All Seasons, Julia), who was fired for impudence. Arthur Gardner as classroom student (uncredited) (at the time of his death in December 2014, he was the last surviving member of the cast or crew) The Nazi campaign was successful and German authorities outlawed the film on December 11, 1930. A heavily cut version was briefly allowed in 1931, before the Nazis came to power in 1933 and the film was outlawed again. The film was finally re-released in Germany on April 25, 1952, in the Capitol Theatre in West Berlin. Higham, Charles. Select List of Banned Films in "Film censorship: the untold story". The Bulletin, November 20, 1965, p.18. the leap up from 4K Netflix DV to 4K disc DV isn't seismic, but it is noticeable in all the right places

In a retrospective review, American film critic Pauline Kael commented, "The year 1930 was, of course, a good year for pacifism, which always flourishes between wars; Milestone didn't make pacifist films during the Second World War—nor did anybody else working in Hollywood. And wasn't it perhaps easier to make All Quiet just because its heroes were German? War always seems like a tragic waste when told from the point of view of the losers." [19]Schleh, Eugene P. "Books About Film and War". Film & History: An Interdisciplinary Journal of Film and Television Studies 8.1 (1978): 11-14. And our bodies are earth. And our thoughts are clay. And we sleep and eat with death." – Nominated. Between 1930 and 1941, this was one of many films to be banned in Victoria, Australia, on the ground of 'pacifism', by the Chief Censor Creswell O'Reilly. [24] However, it was said to enjoy "a long and successful run" in other states, though the book was banned nationally. [25] The film was also banned in Italy and Austria in 1931, with the prohibition officially raised only in the 1980s, and in France up to 1963. [26] Awards and honors [ edit ] Carl Laemmle holding the Outstanding Production Best Picture Oscar Gamarekian, Barbara; Times, Special To the New York (October 19, 1990). "Library of Congress Adds 25 Titles to National Film Registry". The New York Times. ISSN 0362-4331 . Retrieved May 18, 2020.

a b "Review: 'All Quiet on the Western Front' ". Variety. May 7, 1930 . Retrieved February 3, 2017. The League of Nations could make no better investment than to buy up the master-print, reproduce it in every language, to be shown in all the nations until the word "war" is taken out of the dictionaries. Without diluting or denying any ... criticisms, it should be said that from World War I to Korea, Milestone could put the viewer into the middle of a battlefield, and make the hellish confusion of it seem all too real to the viewer. Steven Spielberg noted as much when he credited Milestone's work as partial inspiration for Saving Private Ryan ... Lewis Milestone made significant contributions to [the genre of] the war film. [14] Schleh, Eugene P. "All Quiet on the Western Front: A History Teacher's Reappraisal". Film & History 8.4 (1978): 66-69.Eagan, Daniel. "All Quiet on the Western Front". America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry (2010): 168-169 ISBN 0826429777 [1]. Tibbetts, John C., and James M. Welsh, eds. The Encyclopedia of Novels Into Film (2nd ed. 2005): 14-15. American Film Institute (June 17, 2008). "AFI Crowns Top 10 Films in 11 Classic Genres". ComingSoon.net. Archived from the original on June 19, 2008 . Retrieved June 18, 2008. David Mikies "Hollywood’s Creepy Love Affair With Adolf Hitler, in Explosive New Detail", Tablet, June 10, 2013 Various edited versions have been distributed on video, including a Japanese subtitled Laserdisc with a running time of 103 minutes. The US Laserdisc from 1987 and the first US DVD, released in 1999, use the same unrestored 131-minute British release print. Since 2007, there have been numerous international releases of the 2006 Library of Congress restoration on DVD and Blu-ray. [16] The latter format additionally contains a 133-minute restoration of the international sound version, albeit mislabelled as the "silent version". [17] Reception [ edit ] Critical response [ edit ] "17 London Papers Go Wild!" All Quiet on the Western Front ad from The Film Daily, 1930