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The LH5P II is equipped with a lot of software built-in, you are able to adjust picture color, temperature, layout and more to have it display a single just the way you want it, you can also flip the image on the horizontal or vertical axis making this a perfect companion for those for are shooting vertical video for social media. You can also set the display gamut to an option of your choice from bypass, Rec.709, P3-DCI, or P3-D65. You also have the option to upload your own LUT to the monitor so you can see exactly how your video is going to look before applying it in the editing studio, which is a massive time saver when on set. Finally, speed. Waveforms and 3D LUTs require processing time, which can make monitors feel laggy. However, this is an on-camera monitor plausibly to be used for operating. As such, it really can’t be laggy – and thankfully, it’s not. It’s always tough to work out whether the video outputs on cameras are really as fast as they should be, but having played with this on both an old Canon EOS-7D and the JVC GY-LS300, the latency seems very well controlled indeed. The PortKeys PT5 features a lot of useful analyzing functions and tools. Below is a list of the built-in tools: The LUT file name is required to be in English or numeric to avoid unrecognized, resulting in incorrect file names. There is an HDMI input and output, which can put out a 1920 x 1080p60 signal at 60Hz. Tools include 3D LUT support to 17grid, anamorphic squeeze with fine squeeze control, and UI from the camera. It also has all the bells and whistles you'd expect—Zebras, Luma Histograms, and false color.
Portkeys Best Budget Monitor For The ZV-E10 and Canon M50 - Portkeys
At the right side of the monitor, there is an On/Off switch, a DC 7.4-24V barrel input/output port that you can use to power the monitor or power your camera. Finally, there is a USB-A port for future firmware upgrade, loading your own LUTs, or charge your smartphone (5V output). Dual-use Battery Plate Those features include Peaking, Luma waveform, False colour Zebra, Grids, LUTs and more technical monitoring features that will help ensure you capture the video you want. Customized peaking range: you can choose a certain peaking frame for regional peaking of your shot. Camera Parameters: if you are shooting with the external monitor on top of the camera, this feature will come in handy to see the most important camera parameters on a bigger screen. Whatever course you decide to take, hopefully these tips will help you make the most of your time in any film program or even when volunteering on a film production!
As with the LH7P monitor, the BM7IIDS has the same custom freeze frame feature for match cuts, 3D LUT HDMI output, anamorphic lens calibration, customized peaking range, custom rectangular image crop, and brightness and RGB signal detection before and after loading 3D LUTs. Additionally, it has a false color and ARRI false color feature with customizable overexposure and underexposure IRE scales. BM7IIDS Monitor – Source: Portkeys Not only may you find a new passion but you may also uncover a hidden talent that you weren’t even aware of. My classmate started the program thinking her main skills were as a journalist. After doing the casting process once, she discovered she had a great eye for spotting talent and really enjoyed communicating with the actors. Now, she is the go to casting director for all projects! The Portkeys PT5 HDMI touchscreen monitor is the most affordable monitor, which is a 5″ 4K30p monitor with 500nit bitghtness, new peaking, wide color gamut and 3D LUT. But despite its plastic construction, it still features a full range of monitoring tools that would certainly make your life on set a lot easier. Portkeys PT5 Hardware – Improved Compact Touchscreen
PortKeys LH5P II 5.5-inch monitor review | Digital Camera World PortKeys LH5P II 5.5-inch monitor review | Digital Camera World
On test I tried this monitor out with the Panasonic Lumix BS1H and on my older Nikon D800, it performed flawlessly on both setups, whether shooting indoor or outside. I found that the 2200 cd/m brightness cut out glare whilst shooting in bright sunlight and did not distract from being able to compose various scenes.What makes the small Portkeys PT6 stand out is that it has been designed for streaming; essentially, it has all the pro monitor features, just in a small box that you can easily transport. The monitor includes focus peaking, zebras, and false colour and is 100% DCI-P3 compliant. On the streaming side, this means you can take a feed from your camera at up to 4K and then feed it through the PT6 and output it at streaming-ready 1080p 60fps, and if the feeling takes you, you can even apply a LUT of your choice. Vertical Shooting Stretch: upright video formats in 9:16 might not be everybody’s favorite framing format, but with the importance of social media, at times you just have to deal with it. The LH7P offers controllable stretching of images and real-time monitoring of the stretch effects. Don’t feel confined to the department that you are a part of. One of the biggest advantages of attending film school are the many people who work and study there. Reach out to the head of each department and introduce yourself and your role. LH7P specifications – Source: Portkeys Portkeys BM7IIDS – bright 7″ wireless camera control monitor The Portkeys PT6 is an ultra-compact fully, featured monitor for your camera. It’s a pro-grade screen designed to get a decent representation of what you’re shooting rather than relying on the often flakey reproduced image that your on-camera screen will show.
Portkeys PT5 II Monitor, 5 Inch Professional DSLR On Camera
Step 2: Enter the [Color] item in the menu main menu and select the [Import LUT ] item, and then execute the item. What I found quite surprising for a monitor of this size and price is the amount of input and outputs available. This is a testament to the fact that this small monitor has been designed for those wanting to stream their footage rather than capture it for editing later. The small monitor is of a similar standard as the more expensive models. It’s just that the screen is smaller. Toggles the 3D LUT Off/On. You can select a LUT that is Stored from USB or import LUT from USB. Select the tool and activate or deactivate it as desired. Yellow tools are active, they are Grey when inactive. USB Looks You can even convert your image to grayscale to make it easier to see focus peaking. To power the unit, creatives have the option to use the DC barrel connector or either a Sony NP-F or Canon LP-E6 battery. The good news continues when we start to look at picture processing, test and measurement options. This featherweight monitor supports 3D LUTs loaded from USB devices, plus a wide range of overlays, including audio level metering, peaking, false colour, and, best of all, both luma and RGB parade waveforms. The waveforms appear to be updated at the native frame rate of the video signal, without lag, and with enough resolution to look crisp, at least in the small area of the screen they occupy. Hats off to the firmware people: nice work.Well, it doesn't. The PortKeys PT6 doesn't actually stream your video source, but it provides a set of tools to get your image ready for streaming. This can then be outputted to a device that sends your signal to the web and beyond. A 3D LUT is a simple but very powerful way to apply a color grade to footage. 3D LUT files are quite small, (often around 1MB) and can be produced with almost any color grading software, and can be saved on to USB flash drive for use on the monitor or at any point in post-production. The small size of the monitor is a real benefit enabling it to be attached to a rig, tripod or camera easily, and as it weighs next to nothing, there isn’t the worry of strain that you get with more weighty examples on the hotshoe. Being small, but still larger than the camera’s monitor is a benefit, but what pushes the usability are the additional features. JPG Picture Custom Freeze Frame: just like the MT22DS and BM7IIDS, the LH7P can do a freeze frame in 16:9 1920×1080. After you captured an image, you can compare it to your real-time video with a semi-transparent image on your screen. This could be useful for any match cuts or transition frames, that can be easily created with this feature.
New 5-inch Portkeys PT5 Field Monitor Announced - 4K Shooters
This is an HDMI-only display, but it will handle signals in full DCI 4K up to 24 fps, UHD up to 30 fps, and HD up to 60. The TFT-LCD panel itself is HD resolution. It advertises 10-bit colour depth, which, if we look more closely, turns out to mean 8-bit “plus FRC,” which means frame-rate control, a reference to a type of temporal dithering. Few monitors actually do better than this – even some high-end options use FRC to improve brightness precision, which is a respectable specification. What’s important is that it’s not 6-bit plus FRC. A 1000:1 contrast ratio and 500-nit brightness is claimed, although, in use, it looks like any decent cellphone display and is reasonably visible, at least in bright overcast conditions. The sunshade helps, especially when there are fingerprints from touchscreen operations. If you are using a Sony A7 III, A7 IV, A7S III, A1, A9 II, RX10, A7C, FX3, FX30, or A9 II, you can control REC, Iris, ISO, Shutter, Color Temperature, White Balance, EV, Focus Areas, Single Focus, and Exposure Mode. List of supported cameras for LH7P Monitor – Source: Portkeys The PortKeys PT5is a lightweight – 0.28lbs/130grams – entry-level professional monitor for filmmakers who are looking for a compact on-camera monitor. Full HD Display
The BM7IIDS is a 7″ 1920×1080 on-camera monitor with 2200nits – more than 2 times brighter than the LH7P monitor. It comes with a single HDMI input that supports signals up to 1080p60, 1x HDMI output, dual SDI input (up to 1080p60), and 1x SDI output. You can perform a signal cross-conversion between HDMI and SDI connectors in any direction, so there is no longer a need for an external conversion box. BM7IIDS Monitor – Source: Portkeys Sampling: the LH7P supports 4K over-sampling to 1080p, just in case your camera can’t perform this internally. The result is a high-resolution and highly-detailed 1080p video signal on your monitor. At one time, a full-featured monitor for on-set or on-camera use was a big deal. If you wanted features such as a high-performance waveform monitor and lookup tables, it was an expensive device that chewed through batteries and made a loud whirring sound. If anything shows us that this has changed, it’s Portkeys’ diminutive PT5, which does all those things in a small, very inexpensive box. Similarly, you can also reach out to them when you need to fill a certain role. I was producing a short film and needed a cinematographer so I asked my cinematography instructor to recommend some students in his department that may be a good fit for the project. You never know unless you ask! Find Your Crew Will prompt “access failed”, you can try again at this time, if not, you can restart the device to try once.
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