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It may seem odd that the addition of phase detection (and a fast e-shutter burst mode) could make this much difference, especially when the previous AF system worked very well for some tasks. But that gives some impression both of how tight the differences are between best and worst in this class and how significant the addition of a capable stills and video AF system can be. ProRes] in [5.8K/29.97p] [5.8K/25.00p] [C4K/59.94p] [C4K/50.00p] when Thermal Management mode is set to Standard. Key APS-C format video resolurions: [C4K] 4096×2160: 59.94p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*, 59.94p, 600Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM), 59.94p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM), 59.94p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM), 47.95p, 800Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM)*, 47.95p, 600Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM), 47.95p, 200Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM), 47.95p, 200Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM), 29.97p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM), 29.97p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM), 29.97p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM), 23.98p, 400Mbps (4:2:2 10-bit ALL-Intra) (H.264/MPEG-4 AVC, LPCM), 23.98p, 150Mbps (4:2:2 10-bit LongGOP) (H.264/MPEG-4 AVC, LPCM), 23.98p, 150Mbps (4:2:0 10-bit LongGOP) (H.265/HEVC, LPCM), *External USB-SSD recording When the camera is used at recommended operating temperature 0-40 degrees C. 6K and 5.9K at 30p/25p video recording stops once when continuous recording time exceeds 30 minutes if [Thermal Management] is set to [STANDARD].
S5IIX Full-Frame Mirrorless Camera DC-S5M2X - Panasonic LUMIX S5IIX Full-Frame Mirrorless Camera DC-S5M2X - Panasonic
Telling the camera the squeeze ratio of your lens also allows the S5 II to adjust its image stabilization system to accommodate the differing effective focal lengths of your vertical and horizontal capture, improving the stabilization performance. LUT-applied shooting If you’re on the fence about those features and see them more as nice to haves, it may be worth saving your money and putting it towards one of the excellent LUMIX S F1.8 prime lenses. However, I would say it’s better to get a camera you can grow into. Even if it has features you may not feel you need right now, if you can afford it, it could make more sense to get the higher specced model as it will likely serve you in the long term as your filmmaking evolves. Image stabilization has been a staple strength of Lumix cameras since the release of the GH5 and the S5II X raises the bar further still with the inclusion of Active I.S.. Utilizing a combination of upgraded hardware and more intuitive algorithms, the S5IIX anticipates and counteracts the movements associated with walking and holding telephoto lenses. This delivers smoother footage when filming while walking and allows you to handhold shots with uncanny levels of stability. When combined with a compatible lens, like the Lumix S 24-105, which has stabilization built into it, the S5II X can offer up to 6.5 stops of correction. The camera's battery life rating is a rather disappointing 370 shots per charge, per CIPA standard testing methods. As always, these numbers tend to significantly underestimate how many shots you can typically expect (unless your shooting style is very energy-intensive). A 370 shot-per-charge rating will typically give you plenty of charge for a day's shooting, but you'll want to keep a USB power source near to hand for intensive shoots. A power-saving mode gives a rating of 1,250 shots per charge for viewfinder shooting. Elsewhere, action shooters can enjoy 7fps (or 9fps single AF) with the mechanical shutter or 30fps using the electronic shutter, with continuous AF. It’s a rudimentary all-rounder’s performance, with bursts lasting in the region of 300 frames and 130 frames respectively (recording JPEG fine to a UHS-II card). It’s possible that performance could be improved by recording to a faster memory card like CFexpress, but the S5 II only accepts twin SD cards with UHS-II support.Panasonic’s full-frame Lumix system unfairly goes under the radar, compared to alternatives from the likes of Sony and Canon; but if Panasonic wasn’t already being taken seriously, it should be now. Put simply, I can trust the Lumix S5 II as a reliable tool for creating high-quality videos and stills, and like my GH5, it represents excellent value for money. Panasonic Lumix S5 II: Price and release date Operating very much like a DSLR, the Panasonic Lumix hybrid mirrorless cameras are absolutely photographers' cameras. The ergonomics will be instantly familiar to those who have moved from the DSLR form factor, with a plentiful supply of buttons, dials and switches that make a smoothly efficient hands-on experience, rather than having to delve continuously into various menus. The S5 was a great camera, the S5 II made many improvements and the S5 II X continues this path, with a hybrid that also extends the video capabilities. The S5 II has already been reviewed and is Highly Recommended and the Lumix S 20-60mm f/3.5-5.6 lens is an Editor's Choice, so let's see how the S5 II X plus the same lens continue with this already well-established path of excellence. Like the original S5, the S5IIX is far from small and fiddly. It’s grip is reasonably chunky and it feels comfortable in the hand. It’s also good to know that the camera body frame is made from die-cast magnesium alloy and it’s sealed against dust and moisture ingress. However, it will be interesting to see how the fan vents cope with rain. There's no separate charger with the S5 II but the Type 3.2 Gen 2 USB port can be used to charge, power or power and charge the camera.
TechRadar Panasonic Lumix S5 II review: time to switch? | TechRadar
There was a time when Olympus (now OM System) ruled the image-stabilization roost, but Panasonic has worked its share of magic, too. The 5-axis in-body image stabilization employed by the S5 II makes light work of slow shutter speeds and moderate handshake to deliver sharp detail and smooth videos respectively. Overall, there’s not a lot to be excited about when it comes to the conventional boxy design of the S5 II – you can hardly call it sexy, but it’s a highly competent and comprehensive tool that does everything you need it to do.Dual Native ISO sensitivity, which minimizes noise generation by choosing an optimal circuit to use according to the sensitivity before gain processing. As a result, it allows a maximum ISO 51200 (Extended: 204800) high sensitivity recording.
Panasonic Lumix S5IIX Review | ePHOTOzine
The styling of the S5 II is very much in keeping with that of the original model: it's a mid-sized, fairly squared-off design with a very distinct SLR-like shape to it (compared, say, to Nikon's Z-series cameras). Despite being the smaller model in the company's L-mount lineup, it has extensive external control points, including details such as a dedicated AF mode switch, that are unusual at this level. Thanks to host of new and improved features, the LUMIX S5IIX and S5II are able to deliver truly astounding photo and video performance, including high-speed burst shooting at up to 9fps with mechanical shutter and 30fps with electronic shutter (capable of capturing up to 300 images), a 96-megapixel High Resolution Mode (JPEG/RAW) and Dual Native ISO sensitivity, which minimises noise and allows a maximum ISO of 51200 (204800 when Extended). The S5 II gains the ability to import LUTs in the industry-standard .cube format (in addition to Panasonic's own .VLT type). It can store up to 10 LUTs and adds the ability to apply the LUT to the footage as you shoot. Doing do means you lose post-processing flexibility, putting greater emphasis on getting exposure and white balance right in-camera, but it lets you achieve the look you want straight out of camera. S5 IIX featuresThe S5 II also sees its second card slot upgraded to the UHS-II standard, allowing the use of faster SD cards in both slots. Notably, even with the fastest V90-rated cards, UHS-II isn't fast enough to record all the S5 IIX's video modes, with the most demanding of its All-I capture modes and all its 4K and 5.8K ProRes modes requiring the use of an external SSD. Panasonic says it's been working with third-party accessory makers to provide useful ways to attach popular SSDs to the camera. Lumix S5 IIX: 5.8K Apple ProRes to SSD via HDMI or USB and All-I recording, Apple ProRes RAW to Atomos Motion pictures with 400Mbps or less: External USB-SSD, SD memory card with Video Speed Class 60 or higher While Panasonic says the sensor in the S5 II is also new, from what we've seen its performance appears to be similar to its non-phase-detect predecessor, which suggests that its newfound ability to shoot at up to 30fps in e-shutter mode is more about having a processor able to cope with this speed. Built-in fan
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